Monday, March 25, 2013

ma mère

 photo MamabyYelenaBryksenkova_zps32134428.jpg

Sunday, March 24, 2013

autochrome lumière

 photo alfonse-van-besten_zpsdcbd695c.jpg
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it's been a long time since i've come across something so beautiful that it makes me feel restless. i recently discovered autochrome photography thanks to "edwardian opulence," the current exhibition at the yale center for british art, and since then i've been poring over various online collections, still finding it strange to accept that like ours, life one hundred years ago was lived in color. my favorite photographs, like the two above, are by belgian photographer alfonse van besten (1865-1926). his subjects are just like the dream-muses of j.w. waterhouse, with flushed cheeks and flowers that seem more real and fragrant than real flowers. ever looking to possess at least some aspect of the kind of beauty that causes me unrest, i'm thinking about how just something of the essence of these photographs can be translated into my watercolors. (images from here)

Monday, March 11, 2013

light and darkness

 photo BlackRabbitbyYelenaBryksenkova_zps53152768.jpg
someone recently described my work as dark and spooky, even nightmarish, although it seems to evoke warmth and comfort for most others. both aspects are essential to the way i perceive the world, and i always wrestle with myself: which side should i show? but if two people can see such different things in one image, perhaps quiet domesticity and peaceful repose are perfectly compatible with magical, unsettling darkness. i don't mind, anyway.

Saturday, March 9, 2013

la vida interior de las plantas de interior

 photo plantas8_zpsc9b96cff.jpg book cover for la vida interior de las plantas de interior (the inner life of indoor plants), a collection of short stories by patricio pron for random house mondadori (spain).

Friday, March 8, 2013

philadelphia

 photo philly1_zps9c36d17f.jpg  photo philly2_zpsa445d2e8.jpg
i wandered the streets of philadelphia in search of art deco, and among the well-preserved, prominent examples - such as the two above - i found magnificent architectural details everywhere, many inconspicuously gracing the façades of dilapidated buildings; ghosts of former opulence above dusty storefronts with cheesy signage, existing in strange accord.  i've never seen beauty and decay harmonize quite so well as they do in philly. the weather dashed my plans to see the city's major neighborhoods on foot, but that just means i have a reason to come back at a warmer, drier time.

many thanks to eleanor grosch for being the perfect host and to the students who participated in my workshop at university of the arts - i really enjoyed getting to know you and your work!

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